They are official units, so they must be installed. Six Extra Cavedog units were official bonus units made by Cavedog after theģ.1c patch.3.1c Patch is required for every player of the game, regardless of which expansions.Deleting Folders is necessary because they will sometimes confuse the 3.1c patch.It also is notįree, but is not required to play modifications. It contains 100 missions and a handful of multiplayer maps. Battle Tactics was the second official expansion, and also requires TA to be.Required for almost every addon unit or modification to work, and is not free. Total Annihilation to be installed, and patches up to version 3.0. The Core Contingency was the first official expansion pack for the game.It's the core game, and required to play any version. Total Annihilation is the first version of the game, which usually comes on two CDs:Ī multiplayer disc and a campaign disc.Optional: Mods or Conversions of your choice.Stability is not guaranteed past 500 units Optional: Your choice of a patch to increase the unit limit:.Browse to the folder you installed TA into (default is C:\Cavedog\Totala).ĭelete any folders that are in that location, if they exist.Optional: Total Annihilation: Battle Tactics (BT).Total Annihilation: The Core Contingency (CC).Install the game in the following order (an explanation of each ![]() Rather than a unit comment page so your problem may be quickly solved.įirst, you should always make a clean installation of your game as a fresh basis for We'll try to keep this help page easy to understand, so if you needįurther answers to your problems, please search or make a post on These, coupled with the daunting amount of units and modsĪvailable for the game, can easily overwhelm any user, whether he's been playing TA forĪ week or a decade. Total Annihilation was released in 1997, and in that time there have been two expansionsĪnd many patches for the game.
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It requires low CPU and memory, and still quickly processes the source files. Sample AutoTune has minimal impact on the performance of desktops or laptops. The result will be a new audio sample that has been tuned to the nearest octave. It will traverse all the subdirectories and convert the samples inside, including files with a specified note. You can also drag a directory onto the program. This means that you must configure the file before selecting it. However, keeping with its automated features, all files that have been dropped into the frame will immediately be tuned. ![]() Files that have been set aside for processing can always be seen and accessed by you. Beginning with its regular window it features an organized layout where audio files can be added through the drag-and-drop method. Clean-cut user interfaceĪnalog X has developed a graphical user interface that anyone of any user-level can understand. If you are looking for an industry-standard tool, you will need to download Audacity or Antares instead. Users that are looking to complete a sample rate conversion routine or major downsampling will not always get a good result. However, it will not be able to tune waveform audio files of drums, breakbeats, voices, and foley effects. This means that it will increase the amplitude of the sample before it clips, making it great for creating a bank of tracks that are at the same relative level. On top of polishing tunes, AutoTune can also "normalize' samples. ![]() The creator of this auto-tune software, Analog X, boasts that the audio tuning program can handle most chords. In our tests, we were able to create some very slick visuals, such as applying a perspective angle to a video window, using the rotation control.Īnything on the Canvas can now be a clickable hyperlink (to either external URLs or locations within the video). Anything (video windows, graphics, callouts, etc.) on the canvas can be animated over time. However, there’s no single-click command to resize a window that fills the canvas, which would be useful. When dragging, alignment guides appear to help you line up elements to other objects. You can now work directly with any object (including video windows) on the Canvas, clicking and dragging to resize and reposition. The Canvas is no longer just a playback view of your project. (Version 7 had a tendency to slow down to 5-10 frames per second.)Ĭamtasia Studio is now a multi-track video editor/creator, which can have several videos playing at once, with special effects (such as rotation) applied to the video windows. That’s because Camtasia’s new capture engine is optimized for high-definition video, and can now record at 30 frames per second. The results are quite smooth, even when capturing complex on-screen media. Click the Record button, and everything you do on your computer monitor is recorded, until you click the Stop button. Capturing and showing screen-based activity, such as cursor movement, menu choices, and other interface interactions remains quite straightforward. If you watch a YouTube video explaining how to edit in Photoshop, write in Word, or do anything else in a program, that video was very likely created with Camtasia Record, the original core function of Camtasia Studio. With version 8, Camtasia Studio ($299, 30-day free trial) has not only added new features-including multi-track video editing and embedded hyperlinks-but has been rewritten from the ground up with new optimized code and greater potential impact. Over the years, TechSmith’s Camtasia has evolved from being the go-to program for software demonstrators to a full-featured education/information video tool. Other features found in QuickBooks Pro include estimate creation and the ability to track sales tax for all purchases. Good help options: QuickBooks Pro offers excellent help and support options including a robust user community and access to a comprehensive QuickBooks tutorial. Reports: QuickBooks Pro offers more than 100 standard reports which can be scheduled to run when you need them. ![]() Supports multiple currencies: QuickBooks Pro easily manages multiple currencies. Track inventory: Track products sold, cost of goods, and manage inventory levels, including inventory adjustments. Track time: Track employee billable hours and add them to invoices. Manage bills and accounts payable: Track bills and purchase orders, view all unpaid bills, and take advantage of early-pay discounts. Invoicing: Create professional looking invoices, write a custom invoice, accept payments directly from an invoice, and manage current invoice status. Track income & expenses: Connect bank and credit cards to your QuickBooks Pro account, track business and travel expenses, and easily manage customers, vendors, and employees from a single location. In addition, QuickBooks Pro offers the following features:
But holding your position, or moving up the List, is where things get tricky. Trying to get on the List is a challenge in itself. The Top 10 fastest guys make up the “List”. ![]() The best part though, is that everyone was willing to lend a hand and always happy to show off and talk about their cars. Chassis and shock tuning is a bit of a black art, taking trial and error when making changes. ![]() Being smooth on the throttle and “pedaling” it down the track takes some skill and finesse. Tuning with the slipper clutch makes a car go straight, but it’s not the fastest way down the track. Right now, the set-ups are really different depending on the thought process of the driver. Tuning on the cars and finding the “right” set-up varies from driver to driver. Getting down the track in a straight line, even keeping it on four wheels, proved tough at times. The cars all seemed to have plenty of horsepower, so much so you could say they were overpowered. Racing was serious, for about 3 seconds (the average time to get 132 feet) and then all smiles again. Everyone was super friendly and having a very good time. Having attended my first No Prep street meet the other day, I was surprised at the whole scene. (If you stop by the hobby shop, there’s always a drag car on display to check out and see what’s involved.) Builds can be mild to wild, budget to a little spendy, it’s up to the racer. A LCG upgrade chassis, Parma hot rod body, some kind of fast motor and esc, some rubber tires and BANG!, you’ve got a No Prep car! Well, it’s not quite that easy, but you get the idea. Locally, most drag rigs are based on the Traxxas Slash 2wd. Two drivers at a time, first one across the finish line wins (being on theįor the R/C No Prep, there’s only a few very basic rules:Ģwd Short Course Truck based (12-13” wheelbase). ![]() Most of the time, the starts are done with a flashlight, or “Set, GO!” format. The drag surface is not prepared, other than blowing it off. No Prep R/C Drag Racing is all about simplicity and fun. But, not just any drag racing, it’s all about the No Prep movement this time! Mimicking the TV show that’s so popular, there’s a Top 10 List, call outs, bragging rights and all. Sonoma County is seeing a resurgence in R/C Drag racing at this moment in time. Visit DX’s Release Dates page for more details. TiRon & Ayomari – The Great New Wonderful RiFF RAFF & Action Bronson – Galaxy Gladiators KXNG CROOKED & Statik Selektah – Statik KXNG Jay Electronica – Act II: Patents of Nobility (The Turn) Glasses Malone & Stan Sheppard – Inner City Dreams PRhyme ( Royce Da 5’9 and DJ Premier) is slated to re-release a digital deluxe edition of their self-titled album on December 11.Īli Shaheed Muhammad & Adrian Younge – TBAĪ$AP Rocky – Beauty & The Beast: Slowed Down Sessions, Chapter 1ĭJ Premier – Last Session – aNALOG iN a dIGITAL wORLD Rolling Papers 2 doesn’t have a publicly known drop date just yet but the Pittsburgh rapper says the album is scheduled for release in 2016.Ĭhris Brown recently updated the release date for his forthcoming album. Wiz Khalifa recently announced he’s slated to release a sequel to his album, Rolling Papers.
![]() Everybody agreed without hesitation and were into the idea. ![]() JO: Yeah! Everybody I contacted, most of them I hadn't even met yet in person. So, all the players that really I admired and inspired me I tried to get in touch with to see if they would want to capture that feeling from the weekend and collaborate on some music.įS: You were successful in nailing down the people you wanted to work with? It was pretty much all Pittsburgh bands and I saw a lot of great players and bands that I didn't know about before. John O'Hallaron: I got the idea after playing this event over the summer called FarmJammaLamma, which was this small camping festival. Through synthesis of talent, Starship Mantis will transport the group of well-known musicians to stratospheric heights.įound Sound: How did you get the idea to bring everyone together for a record like this? Rossman, Kelly, Powell, Geer, Antonich, and Whitehead have each earned respect as individuals from the music community in Pittsburgh for their musical proficiency and personality. The most important part of Starship Mantis’ social media success is the reputation of the members of the group. In just over a month, the video has gathered over 5,000 views. Not only did the video display excellent audio and visual production, the musicians showcased a confident and entertaining stage presence. Several days after the appearance of a Facebook page, the group released a music video of a live rehearsal in the James St. The brain child of bassist Beni Rossman, Starship Mantis first appeared on the social media radar in early December of 2016. This effort attracted a considerable amount of attention well before the group's debut performance. The interstellar funk group has been executing what appears to be a carefully planned social media campaign through Facebook, Twitter and Instagram. Starship Mantis was making waves well before they touched down in Pittsburgh on Tuesday. The audience, full of members of the Pittsburgh music scene, walked away satisfied and wanting more. In addition to a tight array of original tunes, the performance was well coordinated and clearly geared for entertainment, featuring coordinated dance moves, dramatic drum breakdowns and monologues from Kelly. Filling in for synth and keys man Patrick Whitehead was the inimitable guitarist Glenn Strother, who brought his unique brand of rhythmic comping and soulful solos into the mix. In addition to Rossman, Powell, and Kelly (who complimented his own vocals with velvety tenor saxophone lines), Ross Antonich employed a variety of textures on a number of auxiliary percussion instruments to back up Powell’s syncopated patterns.īuilding upon the rock-solid rhythm section, Spence Greer’s Telecaster went from clean comping to wailing wah-infused psychedelia as it transported the group to new heights during his solos. With a fill from drummer Julz Powell, the band was in a full-fledged groove, led by the wonky sounds of bassist Beni Rossman’s envelope filtered Fender bass and the falsetto crooning of leadman Langston Kelly.Īs the group traversed through an hour of original music, it showcased the talents of six of the Pittsburgh music scene’s brightest stars. The audience rose from their seats and began to fill in around the stage to catch a glimpse of the group, moving almost uncontrollably to the subtle beat. The set opened with ambient space noise as the group checked its bearings and adjusted to the new atmosphere.Īfter a moment, an intoxicating bass line growled through the mist. Speakeasy was transformed into an intergalactic dance hall as six funky aliens took the stage for the debut of a new Pittsburgh-based group, Starship Mantis. On Tuesday night, the dark and intimate James St. It was part of a then-unusual series of releases, the first single on the first of a trilogy of mini albums released over five months – way ahead of the curve of bite-size consumption that now dominates. ![]() (She left a major-label deal after they disagreed with the edgier direction she wished to take.) She achieved these things not just through the song itself, but because she released it on her own label, on her own terms. Artists such as Charli XCX have acknowledged their debt to her too, saying: “Robyn has definitely been part of paving the way for pop stars who fall a little to the left of the Top 40 norm.” Meanwhile, pop in general became a more mournful and introspective place with the likes of Drake and Frank Ocean moving towards minimal, emotional work. Beyoncé’s music became more experimental after the release of ‘Dancing On My Own’ (Photo: Getty) The decade saw the behemoths of straight-ahead pop – Beyoncé, Lady Gaga, Rihanna and Katy Perry – become more experimental, with Beyoncé, Joanne, Anti and Witness. More subtly, if any pop star was worried about baring their soul and admitting that not everything was perfect, Robyn made it possible. “Dancing On My Own” heralded the end of “The Club” era of songwriting – ironically, just as brainless EDM started taking off in the US. There is even a Spotify playlist called “Sad Bops”: “For all of us dancing on our own”.īut it had a wider influence, too. More recently, the likes of Muna and Shura have taken Robyn’s sad-lyrics-to-a-banging-electro template and run with it. Lorde is one of the many female songwriters influenced by Robyn (Photo: Getty) Tegan and Sara changed from indie to electro pop, with the flawless 2013 album Heartthrob and 2016’s brilliant Love You to Death. Over the last 10 years, Carly Rae Jepsen progressed from the candyfloss pop of “Call Me Maybe” to the nuanced synth pop of 2015’s Emotion. Lorde, who released her debut album Pure Heroine in 2013, wrote that “it’s happy and sad, fiery and independent but vulnerable and small, joyous even when a heart is breaking”. The hit was a direct influence on many – female songwriters in particular. That’s certainly the case some of the time, but less often acknowledged in song are the times when, a few drinks in, you encounter that ex, or finally make that move on a long-term crush which is rejected, and your whole world falls apart to the soundtrack of throbbing beats, anguish compounded by the fact that everyone else is having the time of their lives.īy virtue of its devastating lyrics, perfectly complemented by its relentless, pounding electronic production, “Dancing On My Own” would have been an incredible song whenever it was released, but it set the template for so much of what was to follow in the rest of the decade, both musically and artistically. ![]() Clubs are places of shared euphoria, fantasy lands where dreams come true – or so we are told. “Dancing On My Own” took us to The Club and it was startlingly familiar: that brutal feeling when a night out goes wrong. Co-written with Patrik Berger, it reached number 8 in the charts, which is arguably the perfect position: high enough to acknowledge its excellence, yet not too high that it was overplayed. Star Wars Battlefront 2's bigger problems surround its controversial loot box and progressions system, but at least development of the actual gameplay is still being tweaked for players. ![]() The issue of Rey's disappearing lightsaber - a problem noted way back in the beta - has finally been addressed.Īnyone who had their save date deleted due to not having a controller connected can breathe a sigh of relief, and messy UI that saw text and names overlapped throughout the game has also been tidied up. Spawn times and positions have been changed and damage has been balanced for a number of vehicles. ![]() Patch 0.2 is available now for PC, PS4 and Xbox One, and is said to also fix stability and performance across all platforms. ![]() The first big patch for Star Wars Battlefront 2 has dropped and fixes a whole bunch of balancing, UI and gameplay problems, as well as a critical save issue. ![]() ![]()
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